File Download

There are no files associated with this item.

  • Find it @ UNIST can give you direct access to the published full text of this article. (UNISTARs only)
Related Researcher

OakleyIan

Oakley, Ian
Interactions Lab.
Read More

Views & Downloads

Detailed Information

Cited time in webofscience Cited time in scopus
Metadata Downloads

Step by Step: Evaluating Navigation Styles in Mixed Reality Entertainment Experience

Author(s)
Dionisio, MaraBala PauloNisi, ValentinaOakley, IanNunes, Nuno
Issued Date
2017-12-14
DOI
10.1007/978-3-319-76270-8_3
URI
https://scholarworks.unist.ac.kr/handle/201301/34276
Fulltext
https://link.springer.com/chapter/10.1007%2F978-3-319-76270-8_3
Citation
14th International Conference on Advances in Computer Entertainment Technology, ACE 2017, pp.32 - 45
Abstract
The availability of depth sensing technology in smartphones and tablets adds spatial awareness as an interaction modality to mobile entertainment experiences and showcases the potential of Mixed Reality (MR) for creating immersive and engaging experiences in real world contexts. However, the lack of design knowledge about interactions within MR represents a barrier to creating effective entertainment experiences. Faced with this challenge, we contribute a study of three navigation styles (NS) for MR experiences shown on a handheld device. The navigation styles range from fully virtual, through a mixed style that involves both on-screen and in-world activity, to fully real navigation. Our findings suggest that when designing an MR experience, the navigation style deployed should reflect the context, content and required interactions. For our MR experience, “The Old Pharmacy”, with its specific content, context and required interactions, results show that navigation styles relying on in-world activity leads to higher levels of Presence, Immersion and Flow.
Publisher
14th International Conference on Advances in Computer Entertainment Technology, ACE 2017
ISSN
0302-9743

qrcode

Items in Repository are protected by copyright, with all rights reserved, unless otherwise indicated.