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Yoon, Saera
Division of General Studies
Research Interests
  • Russian Literature
  • Comparative Literature

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Intertextuality in kurosawa's film adaptation of dostoevsky's The Idiot

DC Field Value Language
dc.contributor.author Yoon, Saera ko
dc.date.available 2014-04-10T02:26:40Z -
dc.date.created 2014-01-24 ko
dc.date.issued 2013-12 -
dc.identifier.citation CLCWEB-COMPARATIVE LITERATURE AND CULTURE, v.15, no.4, pp.1 - 9 ko
dc.identifier.issn 1481-4374 ko
dc.identifier.uri https://scholarworks.unist.ac.kr/handle/201301/3880 -
dc.description.abstract Analyzes the role intertextuality plays in the adjustments Akira Kurosawa made when he translated the classic novel by Dostoevsky onto screen. Kurosawa's (Hakuchi), a film adaptation of Dostoevsky's The Idiot, has been the subject of mixed reviews. While some consider the film a successful adaptation that captures the spirit of the original, others criticize Hakuchi for its overly faithful rendition of the novel. What has been missing is an investigation of Kurosawa's filmic strategy. Yoon examines the transposition of a chronotope - the spatial move from the center to the periphery and the treatment of the time setting - and suggests that Hakuchi is no simple modernization of the novel, but a work in which we can see how Kurosawa fleshes out his own interpretation of a tragic journey. In so doing, it becomes apparent that Kurosawa rationalizes the polyphonic novel and attempts to create a new kind of melodrama. ko
dc.description.statementofresponsibility close -
dc.language ENG ko
dc.publisher PURDUE UNIV PRESS ko
dc.title Intertextuality in kurosawa's film adaptation of dostoevsky's The Idiot ko
dc.type ARTICLE ko
dc.identifier.scopusid 2-s2.0-84889019435 ko
dc.identifier.wosid 000330192200006 ko
dc.type.rims ART ko
dc.description.scopustc 0 *
dc.date.scptcdate 2014-07-12 *
dc.identifier.doi 10.7771/1481-4374.2032 ko
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