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DC Field | Value | Language |
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dc.citation.endPage | 321 | - |
dc.citation.number | 3 | - |
dc.citation.startPage | 299 | - |
dc.citation.title | JOURNAL OF INTERCULTURAL STUDIES | - |
dc.citation.volume | 41 | - |
dc.contributor.author | Tatar, Bradley | - |
dc.date.accessioned | 2023-12-21T17:38:04Z | - |
dc.date.available | 2023-12-21T17:38:04Z | - |
dc.date.created | 2020-06-25 | - |
dc.date.issued | 2020-05 | - |
dc.description.abstract | The commemoration of whaling is a recent form of consumer culture in the Korean city of Ulsan, where the utilisation of the Bangudae Petroglyph as the emblem of the city is part of a wider process of re-modernisation in Korea. Starting with the concept of re-modernisation, developed by Ulrich Beck, I consider the extension of the concept by Bruno Latour, who has endowed it with a materialist emphasis. From the Latourean perspective, the petroglyph can be viewed as a non-human actor (‘quasi-object’ or ‘actant’) that allies with other actors (such as humans and whales) to create far-flung material networks. I present evidence from the re-enactment of a Neolithic Era whale hunt at a tourist festival to argue that the Bangudae Petroglyph is not merely a representation of whaling, but a portrayal of the relation between past and present which is crucial for sustaining the social solidarities of industrial capitalism in South Korea. From this study, I suggest that purposive nostalgia, the human desires and moralities that motivate human actors to seek the revival of modernisation, exercises a more powerful influence over the work of mediation in comparison to the weaker influence of non-human actants. © 2020, © 2020 Informa UK Limited, trading as Taylor & Francis Group. | - |
dc.identifier.bibliographicCitation | JOURNAL OF INTERCULTURAL STUDIES, v.41, no.3, pp.299 - 321 | - |
dc.identifier.doi | 10.1080/07256868.2020.1751596 | - |
dc.identifier.issn | 0725-6868 | - |
dc.identifier.scopusid | 2-s2.0-85083653105 | - |
dc.identifier.uri | https://scholarworks.unist.ac.kr/handle/201301/32964 | - |
dc.identifier.url | https://www.tandfonline.com/doi/full/10.1080/07256868.2020.1751596 | - |
dc.language | 영어 | - |
dc.publisher | River Seine Publications | - |
dc.title | The Bangudae Petroglyph: Whaling and Remodernisation in a South Korean Industrial City | - |
dc.type | Article | - |
dc.description.isOpenAccess | FALSE | - |
dc.type.docType | Article | - |
dc.description.journalRegisteredClass | scopus | - |
dc.subject.keywordAuthor | Festival | - |
dc.subject.keywordAuthor | industrialisation | - |
dc.subject.keywordAuthor | modernity | - |
dc.subject.keywordAuthor | Korea | - |
dc.subject.keywordAuthor | timescape | - |
dc.subject.keywordAuthor | whaling | - |
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